CINE CRI '15: On Cinema and Identity

CINE CRI '15: On Cinema and Identity 10th to 11th June 2015 Istanbul, Turkey The full papers are going to be published in the proceedings book with an ISBN number, and will be sent to be reviewed for inclusion in the "Thomson & Reuters Web of Science's Conference Proceedings Citation Index" (CPCI). We are proud to announce the keynote lectures will be given by internationally recognised film director Ye?im Ustao?lu and renoened scholar Professor David Martin-Jones. Enquiries: info@cinecriconference.org Web address: http://www.cinecriconference.org/ Sponsored by: DAKAM TRACK 01: IDENTITY 01.1. CINEMA and IDENTITY - Nation, nation-state and diverse ethnicities - Migration, transnational and/or accented cinema - Religion and religious groups - Gender, women, LGBT identities - Family, familial bonds - Class and struggle - Isolated or neglected identities - Identity, culture and politics - Local and global Identity - Multiculturalism 01.2. CINEMA and IDEOLOGY - Ideology of a Film - Public Life, society and cinema - Film, Public Memory and Daily Life - Art Movements - Technology and Materials - Communication Tools, Urban Space and Cinema - Cinema from Psychological, Sociological and Psychiatrical Perspective - Literature, screenplay and cinema - Film Musics 01.3. ARTS and SOCIETY - Director, Actor, screenwriter, art director, costume designer, sound designer: Artist as a Subject - Characters, People and Identity - Politics of Body in Space - Social Stratification in Cinema as Gender, Sexuality, Class, Race, Ethnicity and Age - Race and Affects of Racism - Women, Art and Society TRACK 02: CINEMA and CITY - Architecture and Moving Image - Cinematic Space - Cinematic Architecture - Distopia Films - Future of Cities in Films TRACK 03: CINEMA and POLITICS - Analysis of Film: Art House Film, Hollywood, Documentary & Non-Fiction Film, Short Film, Animated Feature Films, Silent Film, Film Auteur, Interactive Media & Games - National Cinemas - Film as a Political Tool Throughout the History - Design and Artistic Production from a Critical Point of View - History of Film from a Political perspective - Post-colonialist Theories TRACK 04: NATIONAL CINEMAS, HOLLYWOOD and ART-HOUSE CINEMA - Film and nationalism - Hollywood's presence as a national unit - Nation state and cinema - Cultural transfers - Auteur theory - Film Genres - Independent Films - Underground Films TRACK 05: REPETITION, PROGRESS and REFERENCE IN THE HISTORY OF FILM - Cine-repetitions in cinema - Chasing film narrative - Repetition and the limit of film form - Originality in cinema - Difference and repetition in cinema TRACK 06: TECHNIQUE and PRODUCTION - Cinematography - Movement and expression - Lighting techniques - Special effects - Sound effects - Editing and transitional devices TRACK 07: DOCUMENTARIES -History of documentaries -Modern documentaries -Narration styles -Ethnographic film -Defining documentary -Docufiction PRELIMINARY PROGRAM Venue: Nâz?m Hikmet Cultural Center JUNE 10 9:00-9:45 Registration 9:45-10:00 Opening Speech 10:00-10:50 Keybote Lecture 10:50-11:00 Coffee Break 11:00-12:00 Panel Discussion by Invited Artists 12:00-13:00 Lunch 13:00-14:00 Session 1 & 2 & 3 14:00-14:10 Discussion 14:10-14:20 Coffee Break 14:20-15:20 Session 4 & 5 & 6 15:20-15:30 Discussion 15:30-15:40 Coffee Break 15:40-16:40 Session 7 & 8 & 9 16:40-16:50 Discussion 16:50-17:50 Session 10 & 11 & 12 17:50-18:00 Closing Remarks JUNE 11 9:00 Historical City Tour 14:00 Art Walk Please note that you may enter to all of the sessions of the other IASD's Conferences: JUNE 8: CONTEMPART '15 CONFERENCE SESSIONS JUNE 9: CONTEMPHOTO '15 CONFERENCE SESSIONS